●龍泉青瓷 | 宋代 龍泉花葵碗
●龍泉青瓷 | 宋代 龍泉花葵碗
藏品介紹：
龍泉窯北宋時期的龍泉青瓷，胎骨較厚，胎土淡灰，底足露胎處見赭褐色窯紅，胎微出燒，釉的玻化程度好，釉層透明，釉表光澤很強。裝飾花紋較簡練，常見紋樣有魚紋、蕉葉、金枝、荷花等。裝飾風格趨於奔放。處於南宋鼎盛時期的龍泉青瓷，形成了自已獨有的藝術風格，顯示了獨特的魅力。南宋龍泉青瓷的造型亦形成自已的風格，穩重大方，渾厚淳樸而又不失秀媚，器型豐富多樣，裝飾普遍採用刻花和堆塑法，頗具藝術匠心。
北宋中晚期是龍泉發展的重要時期，並開始形成自己的風格。胎體較為厚重，但造型規整，釉色由淡青轉為青黃，產品多生活用具為主，有碗、盤、杯、壺、瓶、罐等，在裝飾工藝上有刻花、劃花和蓖紋。圖案有花卉，飛鳥、魚蟲和嬰戲紋等。
南宋時期龍泉窯得到空前的發展，龍泉青瓷進入鼎盛時期。這時，曾在唐和五代盛極一時的越窯青瓷業已凋零，唯有龍泉青瓷質量顯著提高，馳名中外的粉青、梅子青釉瓷色就是在南宋龍泉窯中燒製成功並把青瓷釉色之美推到頂峰。
整件藏品儲存完好，包漿色澤絕對是精品中的精品，看一眼都讓人心曠神怡，該瓷器敞口，弧形腹壁，圈足，以勻潤的青釉覆罩，釉面光潔勻靜，而且胎體薄如白紙，實在讓人憐惜，瓷器裡採用刻劃工藝繪飾嬰戲圖，三嬰戲於三桃中間，以光亮的天青綠釉映襯，宛如晴空下頑童戲耍。刻線犀利，畫面生動活潑，生活意趣濃厚。青瓷的胎體為灰白色，較薄，很堅密，光潤。藏品儲存完好，瓷釉光潔，頗具優雅之風，極具觀賞收藏價值。
碗中的三嬰戲圖，兒童在嬉戲中表現出的生動活潑的姿態，專注喜悅的表情，稚拙可愛的模樣，不只讓人心生憐愛，更能感受到童稚世界的無憂無慮。古代，這種題材被稱為“嬰戲圖”。名為“嬰”，實際是“孩”。畫面上的兒童玩耍，嬉戲，妙趣橫生。還有桃子圖案和兒童遊戲結合的。象徵著多子多福，福壽吉祥、生活美滿。多個幼童濟濟一堂的畫面，則寓意著連生貴子、百子千孫的意味。
宋代是嬰戲題材繪畫的成熟和繁榮時期，從內容取材上大致可分為寫實生活類作品和具有象徵意義的作品兩大類。有限的嬰戲圖作品充分體現宋人精湛的技藝和“尚真”的審美追求，也為後世瞭解宋代社會生活尤其是兒童的真實狀貌提供了寶貴的影象資料。宋代嬰戲題材繪畫中有許多與節慶活動相關的作品，諸如與春節有關的《百子嬉春圖》、《九九陽春圖》等；與端午節有關的《端陽嬰戲圖》、《重午嬰戲圖》等。此類作品中大多包含一定的象徵寓意，或盼多子多孫、多福多壽，或表達去災辟邪。
Introduction to the Collection of Longquan Flower Bowl in Song Dynasty；
Longquan celadon from the Northern Song Dynasty of Longquan Kiln has thick fetal bones， light gray fetal soil， reddish ochre kiln red at the exposed bottom foot， slight burning of the fetus， good vitrification degree of glaze， transparent glaze layer， and strong glaze surface gloss。 Decorative patterns are relatively simple。 Common patterns include fish patterns， banana leaves， golden branches， lotus flowers， etc。 Decorative styles tend to be bold and unrestrained。 Longquan celadon， which was in the heyday of the Southern Song Dynasty， formed its own unique artistic style and showed its unique charm。 The modelling of Longquan celadon in the Southern Song Dynasty has also formed its own style。 It is sedate and generous， simple and honest without losing its beauty and charm。 It is rich and varied in vessel types。 The decoration generally adopts the methods of engraving and stacking， which shows great artistic ingenuity。
The middle and late Northern Song Dynasty was an important period for Longquan‘s development and began to form its own style。 The carcass is relatively thick， but the shape is regular， and the glaze color changes from light green to green yellow。 Most of the products are household appliances， including bowls， plates， cups， pots， bottles， cans， etc。 The decoration technology includes engraving， scribbling and grating。 Patterns include flowers， birds， fish and insects， and baby play patterns。
Longquan kiln developed unprecedentedly in the Southern Song Dynasty and Longquan celadon reached its peak。 At this time， Yue celadon， which was once popular in the Tang and Five Dynasties， had withered。 Only Longquan celadon had significantly improved its quality。 The famous pink and plum celadon colors were successfully fired in the Longquan kiln in the Southern Song Dynasty and pushed the beauty of celadon glaze to its peak。
Recently， xiamen bode fufu has collected a piece of “ song dynasty longquan sunflower bowl”。 the size of the collection is： overall height： 7。7cm diameter： 22cm。 the whole piece is well preserved。 the color of the coated slurry is definitely a top-quality product。 one can feel relaxed and happy at a glance。 the porcelain is open， curved abdominal wall， full circle， covered with evenly moistened green glaze， the glaze is smooth and even， and the body is as thin as white paper。 it is really pitiful that the porcelain is decorated with baby play pictures by carving technology。 the three babies play in the middle of the three peaches and are set off with bright azure green glaze， just like naughty children under clear sky。 The carved lines are sharp， the pictures are lively， and the life is interesting。 The celadon matrix is gray-white， thin， firm， dense and smooth。 The collection is well preserved， porcelain glaze is bright and clean， with elegant style， and has great ornamental collection value。
The picture of the three babies in the bowl， children’s lively postures， expressions of concentration and joy， and childlike and lovely appearance， not only make people feel fondly， but also feel carefree in the childish world。 In ancient times， this kind of theme was called “ baby play map”。 The name “ baby” is actually “ child”。 The children in the picture play， play and are full of fun。 There are also peaches and children‘s games。 It symbolizes many children， many blessings， good luck and happy life。 The picture of many young children gathered together implies the meaning of having many sons and grandchildren。
Song Dynasty was a mature and prosperous period of infant drama painting， which can be roughly divided into realistic life works and symbolic works。 The limited baby drama works fully embody the Song people’s exquisite skills and aesthetic pursuit of “ respecting truth”， and also provide valuable image data for later generations to understand the social life of the Song Dynasty， especially the real appearance of children。 There are many works related to festival activities in Song Dynasty‘s baby drama theme paintings， such as “ The Hundred Children Playing in Spring” and “ The Spring Festival in 1999” related to the Spring Festival。 The Dragon Boat Festival-related “ Duanyang Baby Show” and “ Chong Wu Baby Show” etc。 Most of these works contain certain symbolic meanings， such as expecting more children and grandchildren， happiness and longevity， or expressing to ward off disasters and evil spirits。